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Post-Gazette gives the skinny on Host Skull!

on Fri, 2011-04-29 14:49

Manny Theiner wrote a great article on Host Skull, the "Fourth River" composition, and general HS plans for the Pittsburgh Post-Gazette. Check it out here: http://www.post-gazette.com/pg/11118/1142357-388.stm

While you're online, pick up the "Fourth River" composition/photographs/essays in digital form here for $3.99: http://www.contraphonic.com/con/sound-series.php

Contraphonic releases Host Skulls' FOURTH RIVER . . . Today!

on Tue, 2011-04-26 04:04

Chicago's Contraphonic label releases Host Skull's "Fourth River" composition. The piece expands Host Skull to include vibraphonist Jeff Berman, modular synth-ist Herman "Soy Sos" Pearl, and a trio of Ben Harris/Kerrith Livengood/Brandon Masterman.  The Frame will host the release show on April 29th, 2011, as well as the opening for the Alternative Photo Processes exhibit. Two interpretations of the "Fourth River" piece will be performed by David Bernabo and Jeff Berman. Pick up the release through Contraphonic through Paypal

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Pittsburgh’s Fourth River is the sometimes mythologized, sometimes forgotten river that flows below the surface. More accurately, it is an aquifer that is given the name Wisconsin Glacial Flow. The visible manifestations of the river can be seen in the fountain at Point State Park and in some of the downtown drinking water. When the Fourth River is mentioned, grand notions of a flowing subterranean river come to mind. This is in direct contrast to what is actually is: sand, gravel, and a bit of water running through it.

“Fourth River” combines these two visions of the river, pairing arrhythmic electronics and percussion with majestic melodies from acoustic instruments. The contributing musicians are a small who’s who of innovative performers from Pittsburgh. Vibraphonist and percussionist Jeff Berman worked extensively in New York, performing in innovative jazz and new music groups before settling down in Pittsburgh. On the piece, he handles the rather gnarly vibraphone work and bowed gongs. Herman “Soy Sos” Pearl runs Tuff Sound Recording, has created music for dance and multi-media projects, and was a member of the genre-bending Soma Mestizo. Here, he contributes modular synthesizer, a series of signal-producing modules connected by patch cords/wires. A trio of musicians from Pittsburgh’s young New Music scene also makes an appearance: Brandon Masterman (soprano and baritone saxophone), Kerrith Livengood (flute and alto flute), and Ben Harris (violin). Connecting all the elements is Host Skull, proper.

Host Skull’s first official show and “Fourth River” release will take place at The Frame on Friday, April 29. The show is a collaboration with the Alternative Photo Processes class taught by photographer Elizabeth Raymer Griffin at Carnegie Mellon. The downloadable release, available through Contraphonic for $3.99, will combine the composition with photographs from the class and essays by one of Contraphonic’s owners, Ben Schulman. Host Skull will be represented by David Bernabo and Jeff Berman for this performance.

Host Skull to release "Fourth River" on Contraphonic

on Mon, 2011-03-28 05:07

Host Skull will inaugurate the Pittsburgh Sound Series on Contraphonic. Contraphonic has issued five editions of the Chicago Sound Series, providing field recordings, photos, writing, and compositions that comment on neighborhoods and the Working City. For Pittsburgh, "Fourth River" will be the series title and the title of the first composition. The elusive underground conjures a variety of images and Host Skull's first output aims to capture some of those. 

The music, packaged as a downloadable iTunes package, comes with photographs by Elizabeth Raymer Griffin's Alternative Photo Processes class and writing by Ben Schulman. The package will be available April 26 through the Contraphonic website.

In the meantime, head over to the Records page for more info: http://hostskull.drupalgardens.com/content/records

Or check out this short teaser:

7" Review: Wishgift - Pretty Jenny/Cream Acres

on Fri, 2010-11-05 01:35

"I don't mind being cool" is the first line from the b-side, "Cream Acres."  Depending what circle you run in, Wishgift could definitely be considered cool.  King Crimson-y angular riffs, transitional punk beats, slow spastic vocals, and enough enthusiasm to convince the unconvinced. There is ample intelligence built into these hyper tunes. Time signatures change frequently, syncopated group sections stagger into utilitarian metal vamps, and overdubbing blends seamlessly into the mix.

Given the resumes of the three musicians, it is no surprise that Wishgift is not your average punk band or average prog band or average post-punk band . . . Drummer Marc Riordan keeps tabs on his pop interests in the groove-laden Frigates and engulfing Health & Beauty, while balancing out the jazz side with Josh Berman's Old Idea, Aram Shelton Quartet, his own trio, and Breakway. Bassist John Paul Glover also plays in the hardcore Slow Horse and the modular Musket.  Singer/guitarist Davey Hart aids in the radio show/blog Moans from the Stones.

The seven-inch, produced in limited quantity, starts with "Pretty Jenny." A short whimper of feedback lingers before an eruption of dirty clustered tones, quick bass, and bashing drums. This passage is swapped with a tight guitar/bass riff, repeats, and then unfolds into a series of alternatingly jagged and loose sections. The groove is never lost. The momentum never saddled. "Cream Acres" changes up the flow with unison hits that eventually land in a vamp that, perhaps ironically, recalls Rage Against the Machine. Hart freaks out a bit more on the vocals, assisted by some studio trickery that borders on Marvin Gaye's sexed-up advances or, at least, someone in a stupor. Either way it works nicely to separate the feel of the two songs.  With such a short blast of power and agility, this 7" has no faults. A longer product will show the true abilities of this group.